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Sorted by centuries
in alphabetical order



Artworks Description

dirck barendsz. (1534–1592, Amsterdam)

Ecce Homo (John, 19:5). Oil on paper. 25.3 x 20.7 cm. Monogrammed: Th.B.

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joris hoefnagel (1542 Antwerp – 1600 Vienna)

Amoris Monumentum Matri Chariss(imae). Watercolour and gouache on parchment, with a gilt framing line and a later borderline in pen and black ink, on an 18th century blue paper mount. 11.7 x 9.3 cm. Signed and dated: Georgius Hoefnaglius. D. Ao. 89.

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jurriaan andriessen (1742–1819, Amsterdam)

Arcadian Landscape with Staffage. Black and white chalk, charcoal soaked in linseed oil on blue paper; black ink framing line. 26.6 x 20.6 cm. Verso signed: J. Andriessen inv.

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louis carmontelle (or Carrogis, 1717–1806, Paris)

Portrait of Marie Louise Petit, at the age of 105. Pencil, black and red chalk, watercolour. 27.2 x 19.9 cm. Inscribed and dated on the original mount: Marie Louise Petit, Agée de 105 Ans. Dessinée à Villiers-Coterest le 6 juillet 1765.

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francesco fontebasso (1707–1769, Venice)

The Flood. Pen and two shades of brown ink over black chalk, on a contemporary mount. 47.4 x 33.7 cm.

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hilaire ledru (1769 Opi – 1840 Paris)

Portrait of Madame Mézières, Comédienne du Roi. Pencil with stumping. 29.4 x 20.8 cm. Inscribed below in pen and brown ink: M. Mézières Comédienne du Roi. Jouant les 1ers rôles.

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marco marcola (ca. 1740–1793, Verona)

Two Mounted Antique Warriors. Pen and black ink, point of the brush and several shades of brown wash, heightened with white, on greenish-grey prepared paper. 26.1 x 40.2 cm. Inscribed in pen in lower margin: Marco Marcola.

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christoph nathe (1753 Nieder-Bielau near Görlitz – 1806 Schadewalde)

The Waterfall at Langhennersdorf on the Gottlaube. Watercolour, gouache and pen and dark brown ink over a light preliminary drawing in pencil. 23.7 x 18.8 cm. Ca.1795. Fröhlich Z 340.

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jean françois pierre peyron (1744 Aix – 1814 Paris)

Socrates Tears Alcibiades from the Embrace of Sensual Pleasure. Two drawings in pen and black ink over graphite, grey wash, on a single sheet within a double framingline. 21.7 x 15.1 cm. Signed: Peyron.

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georg friedrich schmidt (1744 Aix – 1814 Paris)

Half-length Portrait of a Young Man with Plumed Hat and Long, Flowing Hair. Black and red chalk, grey wash. 25.2 x 19.8 cm. Inscribed in pen and black ink: Schmidt del.

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luigi ademollo (1764 Milan – 1849 Florence)

"Gli ostaggi cartaginesi" (The Embarkation of the Carthaginian Hostages led by Marcus Attilius Regulus). Pen and greyish-brown ink over pencil, point of the brush and several shades of brown wash, heightened with white. 94 x 123 cm. Signed and dated: Luigi Ademollo Milanese inven. 1790.

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karl blechen (1798 Cottbus – 1840 Berlin)

A Gothic Portico with two Monks before a Crucifix. Watercolour and gouache. Verso: A Goose-quill with a Coloured Billet. Watercolour. 23.9 x 17 cm. Ca. 1824–27. Paul Ortwin Rave, Karl Blechen, Leben, Würdigungen, Werk, Berlin 1940, No. 418.

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antonio canova (1757 Possagno – 1822 Venice)

Standing Male Nude in Left Profile. Pen and brown ink over graphite. 49 x 33.5 cm. Ca. 1800.

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cantius dillis (1779 Gmain – 1854 Munich)

An Autumnal Forest with Red Deer. Black chalk, watercolour and gouache, heightened with white, on brownish wove paper; framing line in black chalk. 26.8 x 33.7 cm. Signed: C. Dillis f., verso signed, in-scribed and dated: Waitforst in Helfendorf 17.t. Septbr. 1838 / Cantius Dillis f.

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tommaso minardi (1787 Faenza – 1871 Rome)

Publius Horatius Cocles Leads the Romans in Battle against the Etruscans. Black chalk. 51 x 69 cm. Signed in pen and brown ink: T. Minardi disegnò. Ca. 1810–15.

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viktor paul mohn (1842 Meissen – 1911 Berlin)

Roman Campagna Landscape with View of Olevano and Civitella. Oil on paper, mounted on cardboard. 18.8 x 25 cm.

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friedrich nerly (1807 Erfurt – 1878 Venice)

Autumn Mallow Flowers. Watercolour over pencil. 43.7 x 32.4 cm. Signed, dated and inscribed in pen and brown ink: F. Nerlij / 1832 Roma.

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adrian ludwig richter (1803–1884, Dresden)

Italian Peasants and a Hunter in the Surroundings of Monte Serrone. Watercolour and pen and greyish- brown ink over a preliminary drawing in pencil. 16.2 x 24.6 cm. Signed: L. Richter.

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friedrich salathé (1793 Binningen near Basel – 1858 Paris)

Landscape with Hagar and Ishmael; the Angel shows Hagar the Spring. Pen and black ink over pencil, brown wash. 31.5 x 42 cm. Ca. 1815–18.

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otto greiner (1869 Leipzig – 1916 Munich)

Two Masons at Work. Pencil, black, reddish-brown and white chalk on brown paper, heightened with white. 45.5 x 30.8 cm. Monogrammed and dated: O. Gr. (18)94.

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