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The painter, architect, stage designer and etcher Gianfrancesco Costa was a widely educated and assiduous personality who also distinguished himself as an art theoretician. His thirst for learning and ability to make his mark in a wide variety of fields are a reflection of the 18th century zeitgeist. Costa had begun his career as a stage designer in Padua in the late 1730s and subsequently pursued various activities in Vicenza, Venice and Turin, where he was associated with the well-known Teatro Regio. Costa’s range of interests was extensive and he occasionally abandoned his profession as set designer to pursue other occupations. In 1747 he published his treatise Elementi di prospettiva before turning to printmaking a few years later.