Pierre Parrocel

As the descendant of a ramified dynasty of artists beginning with his grandfather, Georges Parrocel (died circa 1613), and his father Louis as well as his elder brother Jacques-Ignace, all of whom were esteemed in their field, Pierre was predestined for an artistic career. Like his brother, Pierre left Avignon to begin his studies in Paris under the guidance of his uncle Joseph before continuing his training firstly in Venice and then under Carlo Maratta in Rome, where he became a member of the Accademia di San Luca in 1730. He is mostly known for his altarpieces and works on religious themes, a large number of which are now to be found in the south of France. Parrocel ran a flourishing studio in Avignon and his drawings were very highly prized by prominent contemporary art collectors, such as the Duc de Choiseul and the Marquis Philippe de Chennevières (cf. E. Brugerolles, Une dynastie de peintres: les Parrocel, exhibition catalogue École National Supérieure des BeauxArts, Paris; Musée Calvet, Avignon, Paris 2007, p. 29). While Parrocel’s painted work has recently received the attention it merits in several publications, his printed oeuvre has hitherto been largely ignored. Parrocel produced some thirty prints, most of which up to the present day have only found little attention.

The delightful etching of Vertumnus and Pomona has been executed in a deft, spirited manner reminiscent of Italian models. Despite the small format the intimate scene is imbued with light and atmosphere. A very fine impression with thread margins. Slight traces of handling, otherwise in excellent condition. From the collection of François Heugel (Lugt 3373). Rare.